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Search by first letter of last name of artist or first letter of band name. The Ucross Improvisations are a series of five free improvisations, based on the journal material. With In Communicado approaches art music through the use of untraditional and unusual instruments. Creating music that is at once elemental and intricately ambient, he explores the outer dimensions of experimentation, exploring the dynamic relationship between chaos, order, and indeterminism. He then mixed them into new slow motion versions, putting several of them in reverse. Bowed psaltery, electric and acoustic guitars, banjo, sampler and computer are featured throughout the work.

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A must have for any jazz fan. With In Communicado approaches art music through the use of untraditional and unusual instruments. Their interaction reveals a high level of focus and playfulness and the resulting pieces display both a visceral and analytic intensity.

Sincehe has been working with drum machine as a primary instrument, processing the sounds with several devices to create a unique sound palette. Simplicity and complexity in their respective perfections, each idea developed over long spans of time.

These discs are both live sets of this setup recorded at home.

The Ucross Journal is comprised of 25 short pieces, written one each day the composer was in residence on the Ucross Foundation Ranch. The duo’s classically influenced arrangements create melodic and rapturous pieces full of emotion and lyricism, while their deft arrangements of jazz standards remain true to the style and spirit of these classic tunes. Boasting blades and breathing machines, with ivory handles, and sharp edges.

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Bob Marsh sings, rants and yowls whilst committing unnatural acts with his cello and other electronic devices creating a unique chemistry with the equally unnatural lap steel guitar style of David Michalak. The result covers a varied sonic terrain including avant folk-like outsider songs, field recordings, noise and lowercase improv for accordion, guitars, didgeridoo, drums, prepared piano, radio, turntable, violin, vocals and zither rod.

Both are recorded in real-time, with no edits or overdubs. Some feel like 40 foot tall upset stomachs. The result is a very different kind of album for both of these two prolific musicians. Chaos and bohol in a mesmerizing work of layered prepared drones and lo-fi 4-track songs.

వాడుకరి:Uirchydap – వికీపీడియా

Solus is comprised of 13 short abstract improvs, allowing the listener to experience a new dimension of Diaz-Infante’s piano work. They wanted a third collaborator and Frith yirc Lesli Dalaba. Inspecting valleys, terrain shifts, ambitions of the electric, performing in such far-flung territories as California, the Pacific Northwest, Japan and Mexico.

Combining acoustic and electronic elements, he attempts uuirc create dynamic, biological music from seemingly limited source material. Donkey is keyboardist Hans Fjellestad and guitarist Damon Holzborn in a decade-long collaboration, exploring improvisation and noise art with an intensity just as capable of growling as it is signaling the landing of an alien spaceship.

Inspecting valleys, terrain shifts, ambitions of the electric. This 20 minute Mini-CD can be played in most regular CD players, the largest exception being car stereos. Though the four uifc knew one another, this recording represents their first meeting as a quartet. If however you take your pepperoni pizza uigc extra cream and can stomach the idea of an album with something other than one song reworked ten times, then you should buy Stimmung now.

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They decided to ask both. Pac Packed full of rich colors drawing from a full history of genres, styles, and originality, this recording is the first to feature all four urc musicians on on disc. He then mixed them into new slow motion versions, putting several of them in reverse.

వాడుకరి:Uirchydap

A new breed with eyes on their arms, moving like hungry hunters, not yet poised to sleep. A limited edition of copies worldwide. Different Strokes, featuring violinist Yehudit and cellist Beth Snellings, creates a fusion of jazz and classical influences, incorporating arrangements of tried and true jazz classics, compositions by contemporary jazz masters, and some very unique and lush originals.

Not at all like the rhythms and beats one would expect, the sounds are very abstract, characterized by organic tapestries, drones, frantic passages and lovely flaws. As the CD progressed, other instruments found their way in, including acoustic guitar, CD player, sampler, sk-1 and voice. Using a drum machine as his singular sound source, he warps, bends, and multiplies the beats, creating sound-scapes as diverse and ambient as they are complex and organically beautiful.

Search by first letter of last name of artist or first letter of band name. Their third duo release was recorded in Brooklyn, New York following their three week European tour in early The Ucross Improvisations are a series of five free improvisations, based on the journal material.